In the Early Modern English period (1500–1700), steps were taken toward Standard English, and this was also the time when Shakespeare wrote, but these perspectives are only part of the bigger picture. This chapter looks at Early Modern English as a variable and changing language not unlike English today. Standardization is found particularly in spelling, and new vocabulary was created as a result of the spread of English into various professional and occupational specializations. New research using digital corpora, dictionaries, and databases reveals the gradual nature of these processes. Ongoing developments were no less gradual in pronunciation, with processes such as the Great Vowel Shift, or in grammar, where many changes resulted in new means of expression and greater transparency. Word order was also subject to gradual change, becoming more fixed over time.
Old and Middle Japanese are the pre-modern periods of the attested history of the Japanese language. Old Japanese (OJ) is largely the language of the 8th century, with a modest, but still significant number of written sources, most of which is poetry. Middle Japanese is divided into two distinct periods, Early Middle Japanese (EMJ, 800–1200) and Late Middle Japanese (LMJ, 1200–1600). EMJ saw most of the significant sound changes that took place in the language, as well as profound influence from Chinese, whereas most grammatical changes took place between the end of EMJ and the end of LMJ. By the end of LMJ, the Japanese language had reached a form that is not significantly different from present-day Japanese.
OJ phonology was simple, both in terms of phoneme inventory and syllable structure, with a total of only 88 different syllables. In EMJ, the language became quantity sensitive, with the introduction of a long versus short syllables. OJ and EMJ had obligatory verb inflection for a number of modal and syntactic categories (including an important distinction between a conclusive and an (ad)nominalizing form), whereas the expression of aspect and tense was optional. Through late EMJ and LMJ this system changed completely to one without nominalizing inflection, but obligatory inflection for tense.
The morphological pronominal system of OJ was lost in EMJ, which developed a range of lexical and lexically based terms of speaker and hearer reference. OJ had a two-way (speaker–nonspeaker) demonstrative system, which in EMJ was replaced by a three-way (proximal–mesial–distal) system.
OJ had a system of differential object marking, based on specificity, as well as a word order rule that placed accusative marked objects before most subjects; both of these features were lost in EMJ. OJ and EMJ had genitive subject marking in subordinate clauses and in focused, interrogative and exclamative main clauses, but no case marking of subjects in declarative, optative, or imperative main clauses and no nominative marker. Through LMJ genitive subject marking was gradually circumscribed and a nominative case particle was acquired which could mark subjects in all types of clauses.
OJ had a well-developed system of complex predicates, in which two verbs jointly formed the predicate of a single clause, which is the source of the LMJ and NJ (Modern Japanese) verb–verb compound complex predicates. OJ and EMJ also had mono-clausal focus constructions that functionally were similar to clefts in English; these constructions were lost in LMJ.
Chiyuki Ito and Michael J. Kenstowicz
Typologically, pitch-accent languages stand between stress languages like Spanish and tone languages like Shona, and share properties of both. In a stress language, typically just one syllable per word is accented and bears the major stress (cf. Spanish sábana ‘sheet,’ sabána ‘plain,’ panamá ‘Panama’). In a tone language, the number of distinctions grows geometrically with the size of the word. So in Shona, which contrasts high versus low tone, trisyllabic words have eight possible pitch patterns. In a canonical pitch-accent language such as Japanese, just one syllable (or mora) per word is singled out as distinctive, as in Spanish. Each syllable in the word is assigned a high or low tone (as in Shona); however, this assignment is predictable based on the location of the accented syllable.
The Korean dialects spoken in the southeast Kyengsang and northeast Hamkyeng regions retain the pitch-accent distinctions that developed by the period of Middle Korean (15th–16th centuries). For example, in Hamkyeng a three-syllable word can have one of four possible pitch patterns, which are assigned by rules that refer to the accented syllable. The accented syllable has a high tone, and following syllables have low tones. Then the high tone of the accented syllable spreads up to the initial syllable, which is low. Thus, /MUcike/ ‘rainbow’ is realized as high-low-low, /aCImi/ ‘aunt’ is realized as low-high-low, and /menaRI/ ‘parsley’ is realized as low-high-high. An atonic word such as /cintallɛ/ ‘azalea’ has the same low-high-high pitch pattern as ‘parsley’ when realized alone. But the two types are distinguished when combined with a particle such as /MAN/ ‘only’ that bears an underlying accent: /menaRI+MAN/ ‘only parsely’ is realized as low-high-high-low while /cintallɛ+MAN/ ‘only azelea’ is realized as low-high-high-high. This difference can be explained by saying that the underlying accent on the particle is deleted if the stem bears an accent. The result is that only one syllable per word may bear an accent (similar to Spanish). On the other hand, since the accent is realized with pitch distinctions, tonal assimilation rules are prevalent in pitch-accent languages.
This article begins with a description of the Middle Korean pitch-accent system and its evolution into the modern dialects, with a focus on Kyengsang. Alternative synchronic analyses of the accentual alternations that arise when a stem is combined with inflectional particles are then considered. The discussion proceeds to the phonetic realization of the contrasting accents, their realizations in compounds and phrases, and the adaptation of loanwords. The final sections treat the lexical restructuring and variable distribution of the pitch accents and their emergence from predictable word-final accent in an earlier stage of Proto-Korean.
Erich R. Round
The non–Pama-Nyugan, Tangkic languages were spoken until recently in the southern Gulf of Carpentaria, Australia. The most extensively documented are Lardil, Kayardild, and Yukulta. Their phonology is notable for its opaque, word-final deletion rules and extensive word-internal sandhi processes. The morphology contains complex relationships between sets of forms and sets of functions, due in part to major historical refunctionalizations, which have converted case markers into markers of tense and complementization and verbal suffixes into case markers. Syntactic constituency is often marked by inflectional concord, resulting frequently in affix stacking. Yukulta in particular possesses a rich set of inflection-marking possibilities for core arguments, including detransitivized configurations and an inverse system. These relate in interesting ways historically to argument marking in Lardil and Kayardild. Subordinate clauses are marked for tense across most constituents other than the subject, and such tense marking is also found in main clauses in Lardil and Kayardild, which have lost the agreement and tense-marking second-position clitic of Yukulta. Under specific conditions of co-reference between matrix and subordinate arguments, and under certain discourse conditions, clauses may be marked, on all or almost all words, by complementization markers, in addition to inflection for case and tense.