Judith T. Irvine
In the indigenous sociolinguistic systems of West Africa, an important way of expressing—and creating—social hierarchy in interaction is through intermediaries: third parties, through whom messages are relayed. The forms of mediation vary by region, by the scale of the social hierarchy, and by the ways hierarchy is locally understood. In larger-scale systems where hierarchy is elaborate, the interacting parties include a high-status person, a mediator who ranks lower, and a third person or group—perhaps another dignitary, but potentially anyone. In smaller-scale, more egalitarian societies, the (putative) interactants could include an authoritative spirit represented by a mask, the mask’s bearer, a “translator,” and an audience. In all these systems, mediated interactions may also involve distinctive registers or vocalizations. Meanwhile, the interactional structure and its characteristic ways of speaking offer tropes and resources for expressing politeness in everyday talk.
In the traditions connected with precolonial kingdoms and empires, professional praise orators deliver eulogistic performances for their higher-status patrons. This role is understood as transmission—transmitting a message from the past, or from a group, or from another dignitary—more than as creating a composition from whole cloth. The transmitter amplifies and embellishes the message; he or she does not originate it. In addition to their formal public performances, these orators serve as interpreters and intermediaries between their patrons and their patrons’ visitors. Speech to the patron is relayed through the interpreter, even if the original speaker and the patron are in the same room. Social hierarchy is thus expressed as interactional distance.
In the Sahel, these social hierarchies involve a division of labor, including communicative labor, in a complex system of ranked castes and orders. The praise orators, as professional experts in the arts of language and communication, are a separate, low-ranking category (known by the French term griot). Some features of griot performance style, and the contrasting—sometimes even disfluent—verbal conduct of high-ranking aristocrats, carry over into speech registers used by persons of any social category in situations evoking hierarchy (petitioning, for example). In indigenous state systems further south, professional orators are not a separate caste, and chiefs are also supposed to have verbal skills, although still using intermediaries. Special honorific registers, such as the esoteric Akan “palace speech,” are used in the chief’s court. Some politeness forms in everyday Akan usage today echo these practices.
An example of a small-scale society is the Bedik (Senegal-Guinea border), among whom masked dancers serve as the visible and auditory representation of spirit beings. The mask spirits, whose speech and conduct contrasts with their bearers’ ordinary behavior, require “translators” to relay their messages to addressees. This too is mediated communication, involving a multi-party interactional structure as well as distinctive vocalizations.
Linguistic repertoires in the Sahel have long included Arabic, and Islamic learning is another source of high status, coexisting with other traditional sources and sharing some interactional patterns. The European conquest brought European languages to the top of West African linguistic hierarchies, which have remained largely in place since independence.